Intimidating orchestra music
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Now, at last, I have been able to sit down with six of our leading conductors and try to fathom the answers.
I decided that it would not be particularly diplomatic to approach a conductor and ask why he or she is such a dud, so I deliberately chose to concentrate on highly respected conductors at the forefront of the profession – Marin Alsop, Bernard Haitink, Mariss Jansons, Kirill Karabits, Michael Tilson Thomas and Mark Wigglesworth – to investigate the various ways in which they tackle their job, and to establish whether there are any common denominators.
Areas of specialty include electronic music, world music, vintage disco and funk, neo-classical/ambient and much more. For all synch licensing inquiries, please contact [email protected] Will Saul is a bit of an electronic music renaissance man: DJ, producer, A&R, and label head of the respected Aus Music and Simple Records labels. “I wanted the mix to represent how I DJ in the sense that the majority of my sets are made up mainly of my own, or my label’s, unreleased or forthcoming music. Hopefully this gives me something unique as DJ, not just as I play tracks that no one else has, but also because they are artists and tracks that I love enough to want to sign, so they really represent what I love about electronic music. Sir Thomas Beecham famously remarked that there are two golden rules for an orchestra: ‘Start together and finish together.The public doesn’t give a damn what goes on in between.’ This is one of those flip, caustic one-liners for which Beecham has been immortalised.
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The orchestra has also participated in the commissioning and performance of the music of living composers including Jamie Wilding, Joseph Schwantner and Joan Tower whose piece "Made in America" received the 2008 Grammy award for 'Best Classical Contemporary Composition'.